建築欣賞篇：隈研吾?長城腳下的公社?竹屋

07-22

隈研吾?長城腳下的公社?竹屋（上）Kengo Kuma"s Great Bamboo Wall日本建築師隈研吾有個奇怪的名字，不過更怪的是他的建築理論：「讓建築消失」。建築物不都是高聳挺立的嗎？何謂「消失」呢？這個怪蜀黍在設計長城腳下的竹屋後這樣說：

Our first aim was to learn from the formality of the Great Wall.我們的第一個目標是學習長城的建造形式。We were attracted to the fact that the Great Wall has never been an isolated object.吸引著我們的是，長城從來沒有成為一個孤立的個體。It running almost endlessly along the undulating ridgeline（起伏的山脊線） without being isolated from the surrounding environment.它沿著連綿起伏的山脊幾乎消失於我們的視線，卻從未從周遭環境中孤立出來That appealed to us as a criticism toward the conventional form of "architecture』 that tends to seek to be an isolated object among the environment.這呼籲我們對於那些傳統的與環境隔離的建築形式作出批判。（翻譯水平有限，歡迎拍磚。）這樣看來，「讓建築消失」似乎就是讓建築與環境渾然一體嘛，咱們老祖宗還挺新潮的呢！話不多說，還是讓我們來看看這個與"The Great Wall" 一樣「消失」的"Bamboo Wall"吧~~這座建在狹窄的山岩之上的建築姿態舒展,與環境渾然一體。建築師大量運用竹子這一簡單而樸質的材料將中國的傳統建築風格和日本建築的空間感有機結合，體現了東方文明的精神氣質和藝術風格。

With this project,a guesthouse located close to the Great Wall, Kuma intended to reinterpret（重新解釋） traditional qualities of Chinese architecture through the use of bamboo as both structural and non-structural element.The architect was intrigued by（著迷於） the characteristics of this material: as opposed to（與...形成對照） other wood products, which are all processed in one way or another before they are used in as building materials, bamboo can only be used in its original form and is thus both a material and a product at the same time.

Kuma"s design, in which he applies his usual method of "particlization," especially emphasizes the disposition of bamboo as material. Positioning the individual pieces of the wood so as to resemble bamboo in its natural environment, Kuma seems to reveal the true essence of this material in his design.註：particlization這詞貌似英語詞典里都找不到，而particle是粒子的意思。在搜索隈研吾的建築理論時，總能看到這樣一段話：「對於建築來說最重要的不是形態或造型，而是構成這個建築的粒子。成功地設計出最合適的粒子，建築與環境就能相互融合，建築也就消失了。在這樣的思考與實踐中不是簡單地把建築埋起來而是用把建築粉碎解體的方法來使建築消失的可能性。」你懂否？ ..我頭有點大…

Interior Views ofBamboo LoungeThe guesthouse"s close proximity to the Great Wall was another important element in the design. The wall seems to run virtually endlessly along the undulating ridgeline（起伏的山脊線） of the mountainous landscape without being disconnected from its surrounding environment. Kuma wanted to endow（賦予） his project, which he deliberately（有意的） called a "wall" instead of a "house," with the same quality.

下面我們來看下它的設計圖：在建築的設計中，一般要用到平面圖、立面圖以及剖面圖，用英語怎麼說呢？平面圖 Floor立面圖 Elevation剖面圖Section

翻譯上圖中房間名稱是今天的作業內容哦~不會的自己字典查起來！看起來是不是有點難懂呢?這個建築完全是跟隨著地勢的起伏，鑲嵌在這個狹小的山岩之中。,

Bamboo is applied extensively（廣泛的） throughout the house to shape boundaries in the form of light screens, but the heart of the design is a lounge at the center of the building. light screens 光簾Lounge 休息室

Interior Views of Bamboo LoungeServing as a small tearoom, this space, made up almost entirely of bamboo, is set in a shallow reflecting pool. It is reached by 2 stepping stones that form a small bridge and is open to the south toward the Great Wall, which is visible from this site.

A glass canopy shelters the lounge, while the use of bamboo beneath the glass and elsewhere filters（過濾） in light and provides the space with an ephemeral quality that makes the experience of this architecture especially memorable.glass canopy 玻璃天幕註： ephemeral本意指朝生暮死。這裡指光透過玻璃天幕，經過一條條竹紋的篩選，飄灑在室內的空間，而這種空間的感覺是充滿變化的。