關於《海上鋼琴師》 。關於鋼琴師的靈魂 點滴
07-07
關於 海上鋼琴師 最唯美的音樂原聲 最感人的鋼琴師靈魂 我想影片的成功所在就是把我們心中的另一個唯美的自我藝術化,他放大了純潔靈魂以及我們心靈深處的自由。至今無法忘記1900那孤獨卻不頹廢的眼神,無辜,彷徨,令人同情。說同情1900,我們真沒有資格,疲憊的奔波於這個紙醉金迷物慾橫流的世界,拷問自己靈魂的深處,我們為了什麼而活,我們怎麼活,又是什麼支撐著自己,可以沒有信仰,但必須要有信念。海總是載滿了回憶的,無論它是快樂的,希望或不堪回首…… 《The Legend Of 1900 海上鋼琴師》敘述了一位誕生於海上的音樂奇才,精彩不凡且極富爭議的一生。為《The Legend Of 1900 海上鋼琴師》操刀配樂的是世界電影界著名和資深的義大利最具風格的作曲家 Ennio Morricone 埃尼奧·莫里康內,從處女作《法西斯分子》到1997年的《西西里的美麗傳說》,這位大師參與制作的各國電影配樂已不下400部了,故被音樂界冠以最多產的作曲家美譽。現時已經是70多歲高齡的他,仍擁有豐富的創作靈感和素材,在《The Legend Of 1900 海上鋼琴師》里,大師以鋼琴為主配合適當的管弦樂和室內樂創作出音色醉人、旋律優美和風格雋永的迷人樂章。 在《The Legend Of 1900 海上鋼琴師》里,大師以鋼琴為主配合適當的管弦樂和室內樂創作出音色醉人、旋律優美和風格雋永的迷人樂章。其中隨性的爵士音符隨處可見,出彩的配樂表現出這張大碟決不流俗的態度。同時這張原聲大碟還請來 Amedeo Tommasi、Gilda Butta 等鋼琴獨奏家,演繹 Jelly Roll Morton 及 Scott Joplin 等散拍樂名家的代表作品。原聲大碟中,1900在滑動的鋼琴的上彈奏、與爵士樂大師鬥法機巧跳脫,精妙無比,尤其是他透過舷窗看到暗戀情人即興創作的那一曲《Playing Love》,更是溫婉細膩如喁喁私語,被公推為全片最動人樂章。全專輯最具吸引力的當屬 Ennio Morricone 埃尼奧·莫里康內 與前 Pink Floyd 樂隊大將 Rogers Waters 以及重搖滾樂隊 Van Helen 的當家吉他手 Edward Van Helen,三巨頭首度合作的電影主題曲《Lost Boys Calling 失去的呼喚》,悠遠飄渺,增添幾許傳奇深度。世紀末回首世紀初葉最動人的海洋傳奇巨作已經誕生。精彩台詞 「陸上的人喜歡尋根問底,虛度了大好光陰。冬天憂慮夏天的姍姍來遲,夏天則擔心冬天的將至。所以他們不停四處遊走,追求一個遙不可及、四季如夏的地方—我並不羨慕。」 Why why why why why... I think land people waste a lot of time wondering why. Winter comes they can"t wait for summer; summer comes they"re living drilled of winter. That"s why you"re never tired of travelling, with chasing some place far away, where there"s always summer. That doesn"t sound like a good bet to me. 「所有那些城市,你就是無法看見盡頭。盡頭?拜託!拜託你給我看它的盡頭在哪?當時,站在舷梯向外看還好。我那時穿著大衣,感覺也很棒,覺得自己前途無量,然後我就要下船去。放心!完全沒問題!可是,阻止了我的腳步的,並不是我所看見的東西,而是我所無法看見的那些東西。你明白么?我看不見的那些。在那個無限蔓延的城市裡,什麼東西都有,可惟獨沒有盡頭。根本就沒有盡頭。我看不見的是這一切的盡頭,世界的盡頭。」 「All that city. You just couldn"t see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn"t what I saw that stopped me, Max. It was what I didn"t see. You understand that? What I didn"t see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world... 」 「鍵盤有始有終,你確切知道 88 個鍵就在那兒,錯不了。它並不是無限的,而音樂,才是無限的。你能在鍵盤上表現的音樂是無限的,我喜歡這樣,我能輕鬆應對。 ! 」 「Take a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by. 」 「你把我推到舷梯上然後扔給我一架有百萬琴鍵的鋼琴,百萬千萬的沒有盡頭的琴鍵,那是事實,max,它們沒有盡頭。那鍵盤是無限延伸的。然而如果琴鍵是無限的,那麼在那架琴上就沒有你能彈奏的音樂,你坐錯了地方,那是上帝的鋼琴。」 「You get me up on that gangway and you"re rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that"s the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You"re sitting on the wrong bench. That"s God"s piano. 」 「天啊!你……你看過那些街道嗎?僅僅是街道,就有上千條!你下去該怎麼辦?你怎麼選擇其中一條來走?怎麼選擇「屬於你自己的」一個女人,一棟房子,一塊地,或者選擇一道風景欣賞,選擇一種方法死去。 」 「Christ! Did, did you see the streets? Just the streets… There were thousands of them! And how do you do it down there?How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die... 」 「那個世界好重,壓在我身上。你甚至不知道它在哪裡結束,你難道從來不為自己生活在無窮選擇里而害怕得快崩潰掉嗎?」 「All that world is weighing down on me, you don"t even know where it comes to an end, and aren"t you ever just scared of breaking apart at the thought of it? The enormity of living it? 」 「我是在這艘船上出生的,整個世界跟我並肩而行,但是,行走一次只攜帶兩千人。這裡也有慾望,但不會虛妄到超出船頭和船尾。你用鋼琴表達你的快樂,但音符不是無限的。我已經習慣這麼生活。」 「I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here,but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way. 」 「陸地?陸地對我來說是一艘太大的船,一個太漂亮的女人,一段太長的旅行,一瓶太刺鼻的香水,一種我不會創作的音樂。我永遠無法放棄這艘船,不過幸好,我可以放棄我的生命。反正沒人記得我存在過,而你是例外,max,你是唯一一個知道我在這裡的人。你是唯一一個,而且你最好習慣如此。原諒我,朋友,我不會下船的。」 「Land? Land is a ship too big for me. It"s a woman too beautiful; it"s a voyage too long, a perfume too strong. It"s a music I don"t know how to make. I could never get off this ship. At best, I can step off my life. After all, I don"t exist for anyone. You"re an exception, Max, you"re the only one who knows I"m here. You"re a minority, and you better get used to it. Forgive me, my friend, but I"m not getting off.」
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