時代遷渡，文化將會何去何從？

不知什麼時候起，一些象徵文學、運動、環境、聖潔的辭彙，越來越被扭曲歪解化了，即便是四大名著、經典的世界名著也難例外。在當下時代遷渡的轉化中，我們一直所延續和信奉的文化紐鏈將會做何打算呢？

我們的文化究竟怎麼了？我們的環境究竟怎麼了？

網路上，幾乎隨處可見那些杜撰醜化名著和調侃的小段子，提到這些不免讓人萬分沉痛……我們為什麼輕易的縱容了這種負面流行元素的泛濫和橫行？允許這種形勢的流通，讓漢語語文的原型在網路飛速的傳播中漸行漸遠，以致丟掉了傳統文化所代表文明的真實性和歷史性，以及它的深遠意義和原始的崇高性？而沒有誰能站出來保護好我們偉大且傳統的國有文化呢？在這些不曾在意的問題上，或許因為傳遞者的太過大意，不知不覺中，我們都錯了，都縱容了……

就拿《紅樓夢》來說。曹雪芹先生的這部曠世佳作，一部歷經百年滄桑的巨著，它的誕生和流傳，命運必定是百經坎坷的。在當時的封建時代，被定義為反書，多次被迫斷稿查封，幾經波折而後才得平反，得以世紀傳頌併流傳至今，在我國乃至世界文學史上，博得重大頭籌，開創並發揚著顯著的文學貢獻和輝煌價值，鑄就了歷史文學開創的先河，成為經典之作。

然而，曹雪芹先生耗盡了畢生的心血，卻沒有機會，沒來得及為她的偉大創作畫上一個完整的句號。也不過只寫到八十回就擱淺於世。後起之秀高鄂雖與《紅樓夢》緣分契投，筆風著力巧妙甚微，風格極其相似吻合，續寫了以後的四十回，也只能做到外在的形似神似，難以抽通內在的思維隱匿。據後來專家學者們的深入研究和探討推敲，高鄂所續寫的《紅樓夢》結局，終究是違背了曹雪芹先生的創作初衷和本意的。後再有劉心武等人的續改，也是另現代文學界，嘩然一片。

顯然，無論在某個時代沉澱出的某一種卓越開創，必定代表著某個時代的特性，也是一種專屬於某個開創者的原型特性。於經典而言，我們需要對以一種尊重以及敬畏的情懷。

Time moved cross culture will decide on what path to follow?

I do not know what time, some symbol of literature, sports, environment, holy words, more and more twisted askew solution, even the four world masterpiece classic masterpiece, with no exception. In the current era of transformation in Du moved we have been, and believe in the continuation of culture chain will be what to do?

What happened to our culture? What happened to our environment?

On the network, almost everywhere who invented vilify and ridicule a small piece of masterpiece, mentioned that these people can not help but extremely painful. Why do we easily indulged the negative popular elements of flooding and rampant? Allow this situation to circulation of Chinese language in communication network of rapid prototype away in that lost the authenticity the historical and traditional culture represented by civilization, and its significance and the primitive sublimity? And who can not stand up to protect our great and traditional state culture? Dont care in these problems, perhaps because the sender too careless, imperceptibly, we are wrong., are indulged.

Take "a dream of Red Mansions". Mr. Cao Xueqins masterpiece, a masterpiece after 100 years of vicissitudes, its birth and spread, fate is 100 after bumpy. In the feudal era at the time, is defined as the book, repeatedly forced to cut draft seal, then twists and turns was vindicated the famous Century and spread so far, the history of literature in our country and the world, won the major event, to create and promote a significant contribution to the literature and history of literature created brilliant value, create a precedent, become a classic.

However, Mr. Cao Xueqin spent a lifetime of effort, but no chance, no enough time for a full stop of her great painting. But only wrote eighty back stranded in the world. Although the higher the bright younger generation and "a dream of Red Mansions" fate Qi pen wind to cast, clever little style is very similar with after writing forty times, can only do the external shape of the spirit through the inner thinking difficult to pull the occult. According to the in-depth study and Discussion on the scrutiny of later scholars and experts in the high writing "a dream of Red Mansions" ending, the end is contrary to Mr Cao Xueqins original intention and intention. And then Liu Xinwu et al continued reform, is also the modern literary circles, an uproar.

Obviously, regardless of precipitation in an era of a remarkable creation, must represent the characteristics of an era, is also a kind of exclusive to a pioneer prototype characteristics. In classical terms, we need to take a respect and awe feelings.

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