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【HP】《哈利波特神器寶典Harry Potter: The Artifact Vault》翻譯G

該翻譯出自燃情歲月翻譯組@Echo

續接上文:

PUBLICATIONS

CHAPTER 6

「Turn to page three hundred and ninety -four.」

——Severus Snape, Harry Potter and the Prisoner of Azkaban

出版物

第六章

「翻到394頁。」

——西弗勒斯·斯內普n《哈利·波特與阿茲卡班的囚徒》

NEWSPAPERS AND MAGAZINES

「HE WHO MUST TO BE NAMED RETURNS」

——headline in the Daily Prophet, Harry Potter and the Order of thenPhoenix

It』sna well-known visual effect in movies to see a whirling newspaper slow down tonreveal a headline proclaiming information that is important to the audience.nThe newspapers and magazines in the Harry Potter films took this familiarnconvention and gave it its own unique spin, taking cinematic advantage of thenmoving images under the headlines of the wizarding worlds』 media to advance thenplot or recap necessary information. The Daily Prophet and The Quibbler werenimportant storytelling devices, used to show the sway of public opinion as thenDark forces rose up and Harry Potter』s supporters refused to be put down.

報紙和雜誌

「那個連名字都不能提的人回來了」

——預言家日報頭版n《哈利·波特與鳳凰社》

電影中有一個著名的視覺效果:旋轉的報紙慢慢降落展開,露出新聞頭版重要信息,將重要的信息呈現給觀眾。在哈利·波特系列電影中的報紙和雜誌延續了這一觀眾熟悉的慣例,創造了它獨特的旋轉下過,利用影片中新聞頭條下的動態圖像,模擬巫師世界的新聞媒介,提供可以推動故事情節的細節或是重要信息。《預言家日報》和《唱唱反調》是重要的敘述故事的載體,被用於展現在黑暗勢力崛起時公眾輿論的搖擺,以及哈利波特的支持者們拒絕被(謠言)貶低中傷。

PAGE 114: The printing press used bynXenophilius Lovegood, editor of The Quibbler, damaged after the Lovegood housenis destroyed by Death Eaters in Harry Potter and the Deathly Hallows —Part 1;nABOVE: Ron Weasley and Remus Lupin (David Thewlis) listen in a meeting of thenOrder of the Phoenix in the kitchen of number twelve Grimmauld Place, as HarrynPotter reads the latest edition of the Daily Prophet; RIGHT: Wizardnpublications include the Quibbler, published by Luna Lovegood』s father,nXenophilius (this issue seen in Harry Potter and the Deathly Hallows—Part 1 and HarrynPotter and the Deathly Hallows—Part 2), and Seeker Weekly, a Quidditch aficionado magazine on RonnWeasley』s bedside table in Harry Potter and the Half-Blood Prince(」CHUDLEYnCANNONS FACE RELEGATION!」」CORRUPTION IN THE QUDDITCH LEAGUE:HOW THE TORNADOS ARE TAKINGnCONTROL」」100 TICKETS UP FOR GRABS:PRIDE OF PORTREE VS. FALMOUTH FALCONS」 SEEnINSIDE FOR MOREDETAILS PAGE 12); OPPOSITE:The Daily Prophet reports on the increasingly worrisome anti-Mugglenincidents at the opening of Harry Potter and the Deathly Hallows—Part 1;nFOLLOWING PAGES: Storyboards of the Daily Prophet drawn for Harry Potter andnthe Order of the Phoenix illustrate the complicated maneuvers through the paper』sntext and pictures that will be crafted digitally. (「DARK MARK SPARKS PANIC」, 「VIOLENCEnSPREADS, MUGGLE FAMILY MURDERED」 , 「DEATH EATER NUMBERS GROW」,」RUFUS SCRIMGEOURnHOLDS EMERGENCY MEETING WITH MUGGLE PRIME MINISTER」,」IS YOUR HOME SAFE?」)

P.114:謝諾菲留斯·洛夫古德使用的出版印刷品,《唱唱反調》的主編,在《哈利·波特與死亡聖器》(上)中洛夫古德家的房子在食死徒襲擊後被摧毀——《哈利·波特與死亡聖器(上)》;上圖:羅恩·韋斯萊和盧平(大衛·休里斯)在格里莫廣場12號上聽鳳凰社的一次會議,而哈利·波特在閱讀最新一期的《預言家日報》;右:巫師出版物包括盧娜·洛夫古德的父親謝諾菲留斯主編的《唱唱反調》(這一期刊物出現在《哈利·波特與死亡聖器(上)》和《哈利·波特與死亡聖器(下)》;《找球手周刊》——魁地奇迷雜誌,在《哈利·波特與混血王子》中出現在羅恩·韋斯萊的床頭柜上(「查德理火炮對面臨危機!「「魁地奇聯賽中的腐敗:龍捲風隊如何採取控制」「100張可搶購門票:波特理VS法爾茅斯獵鷹」(欲知詳情請翻至12頁);下頁:《預言家日報》報道:關於反麻瓜事件的升級與擔憂《哈利·波特與死亡聖器(上)》;以下頁面:為《哈利·波特與鳳凰社》所繪製的《預言家日報》故事版面,通過複雜的動作,紙上的文字以及數字化圖片展示。(「黑魔標記引發恐慌」、「暴力事件擴大;麻瓜家庭被謀殺」、「食死徒隊伍擴大」、「魯弗斯·斯克林傑與麻瓜總理召開緊急會議「以及「你的家安全嗎?」)

THE DAILY PROPHET

「Excuse me, little girl! This is for thenDaily Prophet!」

——Daily Prophet photographer, Harry Potter and the Chamber of Secrets

Just as a heronstars in all the films in a series, sometimes so does a hero prop. A vitalnmethod of storytelling, and the wizarding world』s primary printed news source,nthe Daily Prophet appeared in every Harry Potter film. It was known from thenstart that the newspaper would feature moving images within it, and so graphicndesigners Miraphora Mina and Eduardo Lima felt that the test shoud feelncompatible with that. 「We didn』t know at first if the text might move as well,」nsays Mina, 「and that was probably one of the reasons that the pages have thentext in spirals and shapes.」 For the first five films, the Prophet』s cover pagenoften had text blocks in a design that reflected the story: In Harry Potter andnthe Prisoner of Azkaban, the headline announcing the Weasley』sngrand-prize-winning trip to Egypt is in the form of a pyramid; Rita Skeeter』snstory about Harry Potter and the Triwizard Cup in Harry Potter and the Gobletnof Fire is placed, literally, within the outline of the Cup. The newspaper』snheadline font, created by Mina, reflected the Gothic style production designernStuart Craig had chosen for the film』s architecture; other fonts were takennfrom old books, Victorian advertisements, and letter presses, but 「we had tonuse an illegible font for the actual story copy,」 she adds. At first, thendesigners would place in a sketch for the moving images as a suggestion to thenvisual effects crew.」 We』d send it in for approval,」 remembers Lima, 「but thenresponse would be, 『Well, that』s good, but you know it』s not the image we』ll benusing.」 So soon enough, Mina and Lima would simply write 「MOVING PICTURE TO BEnADDED LATER」 in big letters in the picture box for forthcoming issues. Thenfinal printed version of the paper would have green-screen material in thenimage box, of course.

Since the Daily Prophet is, well, a dailynpublication, Mina assumed that the paper would look new, but the filmmakersndidn』t want white pages, and the paper was given an off-white tint. Theirnchoice of dye was, again, coffee, which added a slight scent to the prop. Thenpages would be put on the floor to dry, and any wrinkles would be ironed out.

While the headlinenand specific stories would be dictated by the scripts, Mina and Lima were givenna free hand (subject to the filmmaker』s approval) with other stories, regularnfeatures, and advertisements. Like most newspapers, the Prophet offersncrossword puzzles (with Escher-like designs that question what is across andnwhat is down), contests (WIN A TRIP TO TRANSYLVANIA), letters to the editor (tonbe sent by owl post only), horoscopes classifieds, and advice columns. As fornother headlines that were needed to fill out the pages, 「We had to come up withnthese,」 says Lima, 「and we had a lot of fun doing it.」 「But we』re not writersnso we pulled ideas from our friends and coworkers,」 adds Mina. 「One of ournfriends was a singer, so she featured quite prominently in the issues. She goesnto Azkaban for illegal henna (GINGER WITCH SURVIVES HENNA EXPLOSION), then shencomes out, but gets arrested again (HOOLIGAN GINGER WITCH ARRESTED IN MUGGLEnFOOTBALL MATCH).」 Frequently, the names of their fellow graphic artists werenused in the ads. 「And, of course, we always tried to put our names in it,」 Limanconfirms. M. Mina and E. Lima were the final contestants in a wizarding duelingnfinal, and a mashup of their names became a Dark Arts protection course for thenSpellbound Minulimus Method. Lima, among others, also posed for pictures in thenads; one of his is for another course in scuba spells, and he is decked out innfull gear.」 It』s not just us,」 Lima concedes. 「My mum』s writer for the Prophet.」

The graphicsnteam estimates that there were forty original editions of the Daily Prophetncreated throughout the film series, although the interiors were often repeated,nas they would not be seen on camera. 「Sometimes we needed thirty copies, andnsometimes we needed two hundred,」 says Mina. Once an issue was approved, itnneeded to be recreated quickly. 「The work was heavy-duty,」 she continues, 「butnwith our team, I felt like we had elves.」

Once thenMinistry begins to take control of the newspaper, starting in Harry Potter andnthe Order of the Phoenix, the style and personality of the paper changed. 「Wendiscussed it with [director] David Yates,」 recalls Mina, 「and he wanted it tonhave a dogmatic feel; that nobody had a say anymore, that it was all comingnfrom the Ministry, so this was a big influence on the look.」 The graphics teamnwas inspired by Russian Constructivism propaganda posters, and so the aestheticntook on a totalitarian tone with bold Soviet-era letters.」 The design is alwaysnunderpinned by the story,」 Mina explains. The height of the paper was reducednand Yates also asked for everything to be printed on the horizontal. 「We alsonlooked at newspapers from the 1940s,」 she continues. 「When something was reallynimportant, they would fill the whole page with one story.」 As the style of newspapernchanged, so did the design of its title. But Mina and Lima did enhance the 「P」nof Daily Prophet in gold foil because, as Mina explains, 「With such an heavynfont, the gold was really just to keep it still, absurdly, magical.」

預言家日報

「請讓一下,小女孩!這是為《預言家日報》拍攝的!」

——《預言家日報》攝影師n《哈利·波特與密室》

就像一個主演明星會出現在電影整個系列中一樣,有時一個主要道具也是如此。在魔法世界的主要印刷新聞來源《預言家日報》就是一個重要的敘事道具,出現在了每一部哈利·波特電影中。它從一開始就被觀眾熟知是一份有著動態圖像的刊物,所以平面設計師米拉芙拉·米娜和愛德華·多利馬覺得文字也應該與之匹配。「一開始我們不知道文本是否也會移動,」米娜說:「所以這可能是頁面中的文本呈現螺旋和形狀的主要原因。」在前五部系列電影中,預言家日報的封面往往用設計的文本反映故事:在《哈利·波特與阿茲卡班的囚徒》中,新聞標題報道了韋斯萊一家贏得大獎,去埃及金字塔旅行;麗塔·斯基特為哈利·波特與三強爭霸賽及火焰杯撰寫的報道(事實上,火焰杯基本被一筆帶過)。報紙的標題字體由米娜設計,這也反映了哥特式的美工設計師斯圖亞特·克雷格被選中為電影設計樣式;其他字體來源於古書,維多利亞時代的廣告和報刊出版物,但是「我們必須使用一個字跡模糊的字體用於複製做成電影中實際的故事報道。」她補充道。首先,設計師會在動態的圖像位置繪製草圖,作為給視覺特效部門的提示。n「我們會發送樣本以便批准,」利馬回憶說,「事實上,這些草圖是很好的。但你也知道,它們並不會成為我們最終使用的圖像。「所以很不久之後,米娜和利馬只會在接下來發布的刊物中用框來標示位置,並用大寫字母寫下「此處用於後期添加動態圖像」當然,最後被印刷的刊物會在此處覆蓋綠屏材料的相框。

由於《預言家日報》實際上是每天出版的日刊,米娜認為紙看起來應該是新的。但製片人不想使用白頁,所以最終採用了米白的色調。他們選擇的染料依然是咖啡色,添加了一種有著輕微氣味的道具。報紙頁面會被鋪在地上晾乾,所有褶皺會被熨平。

雖然刊物標題和具體故事由腳本指定,但是米娜和利馬得到了一些自由發揮的權利(導演的批准),包括其他故事,常規專題節目和廣告。像大多數報紙一樣,預言家日報會提供填字遊戲(Escher-like設計問題及填法),抽獎(贏得前往特蘭西瓦尼亞的旅行機會),讀者給編輯的來信(只能通過貓頭鷹快遞),星座分類及建議。至於其他需要填寫的頁面標題,「我們必須想法做出這些,」利馬說,「在這之中我們有很多樂趣。」「但我們不是作家,所以我們從朋友和同事那兒收集創意和想法,」米娜補充道:「我們的一個朋友是一個歌手,她成為了一些報道的原型。她因為非法指甲花被關進了阿茲卡班(姜發女巫從指甲花爆炸中倖存),後來她出獄了,但又被逮捕了(流氓姜發女巫在麻瓜足球賽被捕)。」他們的藝術家同事的名字也在廣告中頻繁地出現。「當然,我們總是設法把我們的名字加進去,」利馬證實了這一點,M·米娜和E·利馬成為了魔法決鬥的決戰選手,以及他們名字的混合版成為了黑魔法保護課程中迷住Minulimu方法的名稱。利馬,以及其他人,還在廣告中加入他們的合影留念;他的其中一張照片用於另一門有關潛水法術的課程,他為此全副武裝地打扮。「這不僅僅是我們,」利馬承認:「我媽媽被設計成了預言家日報的作者。」

圖形團隊估計共有四十份原創的《預言家日報》出現在整個系列電影中,儘管其中的內容時常被重複使用,因為它們不會出現在鏡頭裡。「有時候我們需要30份,有時候我們需要200份,」米娜說。一旦一份期刊被批准使用,我們又需要迅速地重新創作。「這是一項高強度的工作,」她繼續說,「但我們團隊的合作,讓我感覺我們有精靈幫助。「

nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn一旦魔法部開始控制報紙,從《哈利·波特與鳳凰社》開始,報紙的風格和特點改變了。「我們和大衛·葉茨(導演)討論了這一點,」米娜回憶道,「他想要有一種教條的感覺;有一種沒人可以再發聲了,一切都來源於魔法部的感覺,所以這極大地影響了報紙的外觀。」圖像團隊的靈感來源於俄羅斯建構主義的宣傳海報,所以審美採用了蘇聯極權主義的基調和蘇聯時代信件的黑體。「設計總是以故事為基礎改變,「米娜解釋道。報紙的高度也在葉茨的指示下降低,他還要求所有印刷文字也按照同一水平線下移。「我們還看了1940年代的報紙,」她繼續說。「當某個事件非常重要時,他們會用這個故事填滿整個頁面。「當報紙的風格改變時,其標題的設計也隨之變化。但是米娜和利馬用金箔加粗了預言家日報的(首字母)「P」,米娜解釋說,「在運用了這種給人沉重感的字體後,金箔的顏色是為了仍然保持它的神奇感。」

P.120: DAILY RPOPHET: The wizard world』snbeguiling broadsheet of choice

「10000 Galleons on Potter』s Head: Seeninside for full details PG.3」

「National Weather」

「HARRY POTTER UNDESIRABLE NO.1」

P120:《預言家日報》:巫師世界中令人沉醉的大幅報紙選擇

「波特家的潤發劑:更多的細節請見第三頁」

「全國天氣」

「頭號不良分子哈利·波特」

P.121:

OPPOSITE: A special issue of the DailynProphet was distributed as the Ministry of Magic takes increasing control overnthe newspaper in Harry Potter and the Deathly Hallows—Part 1;nRIGHT: The style and personality of the Daily Prophet changed drastically fromnthe embellished, free-form style seen in Harry Potter and the Chamber ofnSecrets(top) to the unadorned, block-style distributed in Harry Potter and thenOrder of the Phoenix and Harry Potter and the Deathly Hallows—Partn1(bottom); FOLLOWING PAGES: Advertisers in the Daily Prophet feature an acnenmedication, the Minulimus Method protection course of study, and the FambusnStation Wagon from the Nimbus broom company.

下頁:《預言家日報》的特刊,媒體受到魔法部的控制程度加強。《哈利·波特與死亡聖器(上)》;右:《預言家日報》的風格和特點巨大的轉變。從《哈利·波特與密室》到《哈利·波特與死亡聖器(上)(底部);以下頁面:廣告商在《預言家日報》刊登一種痤瘡藥物廣告、Minulimus方法研究保護課程、以及光輪掃帚公司出品的Fambus旅行車。

1: THE EVENING PROPHET: Flying Ford AnglianMystifies Muggles; Moment flock to Lockhart Signing

2: DAILY PROPHET: New headmaster fornHogwarts Severus Snape confirmed; Compulsory I.D. cards imposed by thickness;nAurors decommissioned wands confiscated

3:DAILY PROPHET SPECIAL EDITION: HE WHOnMUST NOT BE NAMED RETURNS:He who must not be named has returned to this countrynand is once more active

1:《夜間預言家》:飛行的福特安格里亞汽車困擾著麻瓜;洛哈特簽售會引發人潮

2:《預言家日報》:新的霍格沃茨校長西弗勒斯·斯內普得到確認;強制身份證由血統確立;退役奧羅魔杖被沒收

3: 《預言家日報特別版》:那個連名字都不能提的人回來了:那個連名字都不能提的人回到了這個國家並再次活躍了起來

P.122 (from left to right, top to bottom)

1. 500 galleons:on any informationnregarding death eaters (see inside for full details pg.3)

2. Don』t blame it on the fox: Since beforenI can remember the fox has been blamed for almost every thing you can imagine.nFrom fouling tents to killing chickens this unf air victimization of anninnocent animal has to come to an end. Here are a few other animals to look outnfor before you blame The Poor Fox.

3. Cracked cauldron ONLY FIVE. Quick fix.nBuy now.

4. London central

5. Bulman』s ultimate witch』s hat liner. Newnimproved model! Warranted to delight the purchaser (Send a self-addressed owlnto bulman』s of wolv erton

6. Lizard Belt!

7. Blemish Blitzer (Special formula withndragon claw)

8. No more fouls in your O.W.Ls. Soar abovenexpectations with our new O.W.L.s Crammer. Get off to a flying start! 「Cram it!」

9. Floo powder accelerator: Enhance yournfloo networking performance!

10. Intensive 3 Days. Dark arts protectionncourse: Come&learn with Top wizards!!! Advanced spells and charms. Protectnyou and your family against all the DARKEST ARTS!!!

P。122(從左到右,從上到下)

1. 500加隆懸賞:任何有關食死徒的信息(詳情參見內部第3頁)

2. 不要怪狐狸:在此之前我記得狐狸幾乎在每一件可以想像的事物上被指責。從空氣污染到在帳篷里殺雞,狐狸都被認作是傷害了其他無辜生物的罪魁禍首。其實在你指責狐狸之前,有其他一些你需要了解的動物。

3.破碎的坩堝。只要五佳隆,快速修復,現在購買。

4.倫敦中心地圖。

5.布爾曼最終版女巫帽子襯裡。新改進的模型!保證讓方喜歡(發送一隻自家的貓頭鷹到沃爾弗頓的布爾曼家。

6.蜥蜴帶!

7.布利策去污劑(含有特殊的龍爪配方)

8.在你的O.W.Ls考試中不再有錯。加強我們的新O.W.L,突破為應考而死記硬背。獲得成功的開始!「補習它!」

9.飛路粉加速器:增強你的飛路網路性能!

10.3天集訓。黑魔法保護課程:跟隨頂尖巫師學習!n! !高級的法術和魅力。保護你和你的家人免受所有的黑暗襲擊!!

P.123

1. IS YOU OWL READY? For the nationalnS.M.S. Secrets messaging service: Get your owl stand out from the rest? Grade 1nbirds urgently required.

2. STAMP OUT THE ENEMY: Be aware of deathneaters

3.Ministry of Magic. Wizarding public awareness.nPractitioners of Dark Arts using New 「Rune-Sign language」 to Bamboozle BonafidenWitches & Warlocks!」

4. SERVICES REQUIRED. Ministry needs youn:Join the Ministry』s only official. Attack squad. Don』t fall victim! Sign upnnow.

5. ALWAYS BE: ON GUARD: Don』t risk beingnunprepared. The enemy can strike at any time. Preparation is the bestnprotection.

6. WARNING! Death eaters are among us! Helpnus to help you! Your information is vital. Inform immediately. The magical lawnenforcement squad of any suspicious behavior.

7. WAND SERVICING—Nothingnis more vital in these dark times! Yournwand is your life! Collection & Delivery Service available

8. GRINCOTTS: Junior wizard savingsnaccounts

9. A remarkable new broom joins the nimbusnfamily of fine brooms.

10. Defensive spells: (Advanced) Training.nEnroll now!

11. PROTECT AGAINST THE DARK ARTS

12. WATCH YOUR BACK: Convert Death Eatersnare omnipresent: Report any suspicious activity forthwith to the Auror OfficenAt the Ministry of Magic.

P.123

1. 你的貓頭鷹準備好了嗎?國家S.M.S.秘密消息傳遞服務:你的貓頭鷹脫穎而出嗎?1級鳥類迫切需要。

2. 消滅敵人:注意食死徒

3. 魔法部。魔法公眾意識。黑魔法愛好者使用新的「如尼古文符號語言」來迷惑正直的巫師和術士!」

4. 服務需要。魔法部需要你:加入魔法部官員。保衛。不要讓更多受害者出現!!現在報名。

5.隨時保持警惕!不要措手不及。敵人可能在任何時候攻擊。準備是最好的保護。

6. 警告!食死徒正在我們中間!幫助我們,也幫助你自己!你的信息是至關重要的。有任何可以行為發現,請立刻通知魔法部執法隊伍。

7. 魔杖服務——在黑暗時期沒有任何東西比魔杖更重要了!你的魔杖是你的生命!提供收集&送貨服務

8. GRINCOTTS:少年巫師儲蓄賬戶

9. 引人注目的新光輪掃帚!更新光輪掃帚系列

10.防禦咒語:(高級)培訓。現在招收!

11.黑魔法防禦術

12.小心你的背後:食死徒無處不在:發現任何可疑的活動請立刻彙報魔法部傲羅辦公室。

P.124

1.The lead singer of 「The Hobgoblins」 &nMina Lima are the same person! 「Speel steps of the week.」

2. Games: Check this week』s answer bynsending us an owl.

3. Wrackspurts: Unfuss the Mystery. 「Gingernwitch arrested in caxambu with fake henna. 「NEXT WEEK: Muggle wolrd. BARCODE:What』snthe point?

4.Cornelius 「Goblin-Crusher」 Fudge.nPower+Gold=Fudge. NEXT WEEK:Goblins cooked in pies!

P.124

1.「古怪姐妹」的主唱和米娜·利馬是同一個人!/本周咒語分步教學

2.遊戲:向我們發送一隻貓頭鷹來檢驗答案。

3.騷擾虻:干擾魔法部/姜發女巫在卡尚布被捕,涉嫌販賣假指甲花/下周預告:麻瓜世界由來已久的條形碼:有什麼意義?

4.科尼利厄斯:「妖精鎮壓屠殺者」福吉。權力+金錢=福吉、下周:妖精被製成餡餅!

BOOKS

「Do you think Neville Lonbottom, thenwitless wonder, could have provided you with gillyweed if I hadn』t have givennhim the book that led him straight to it?」

——Barty Crouch Jr. disguised as Alastor 「Mad-Eye」 Moody, Harry Potternand the Goblet of Fire

In addition to the textbooks necessary fornHogwarts classes such as Potions, Defense Against the Dark Arts, and Charms,nbooks were created for Hagrid』s hut and Dumbledore』s office, for the Hogwartsnlibrary (regular and restricted sections), for Neville Longbottom in order tonhelp Harry Potter in Harry Potter and the Goblet of Fire, for Hermione Grangernto take on their journey in Harry Potter and the Deathly Hallows—Part 1, andnfor author Bathilda Bagshot』s house. Books were seen close up, being held bynstudents, and in the distance, so the use or view of the book on camerandetermined their material and construction. Many of the shelved books in Dumbledore』snoffice were London phone books rebound in faux covers and sprinkled with dust.nSome shelves in the Hogwarts library were filled with books in the same way,nbut there were also books that needed to fly up to their places, for example,nin Harry Potter and the Half-Blood Prince. Stephenie McMillan』s team made thesenout of a lightweight material. Their 「flight」 was created by having crew membersnwearing green-screen gloves reach through the stacks to grasp the books thatnEmma Watson (Hermione Granger) would hold up. The piles of books in the librarynand the curved stacks in Flourish and Blotts that seemed to defy gravity werencreated by the prop makers, who would insert a curved metal bar through a holendrilled in the books, like stringing beads, to create the effect.

「你認為納威·隆巴頓,那個愚蠢的白痴,如果沒有我給他的那本書和直接指示,可能拿到鰓囊草給你嗎?」

——小巴蒂?克勞奇n(偽裝成奧羅瘋眼漢·穆迪)n《哈利·波特與火焰杯》

除了霍格沃茨課程必要的課本,比如魔葯課、黑魔法防禦術、魔咒課教材,還有大量書被創造用於呈現在海格的小屋、鄧布利多的辦公室、圖書館(常規書籍和禁書區),以及納威在《哈利·波特與火焰杯》中幫助哈利用到的書,赫敏·格蘭傑在《哈利·波特與死亡聖器(上)》中隨身攜帶的書,和巴希達·巴沙特屋內的書。書看上去是合上的,被學生拿在手中,在遠距離鏡頭中,所以書本在鏡頭中呈現的功能和外觀決定了它們的材料和裝幀。許多擱置鄧布利多的辦公室里的書本其實是人為灑滿了灰塵的倫敦電話簿。霍格沃茨圖書館的一些書柜上擺滿書籍也採用了同樣的方式。但也有些書需要能夠飛到一些位置,例如《哈利·波特與混血王子》。斯蒂芬妮·麥克米蘭的團隊使用了輕質材料。書本的「飛行」是由員工戴著綠屏材料的手套,拉動書本使它們能被艾瑪·沃特森(赫敏·格蘭傑)拿到。圖書館裡成堆的書和博金·伯克店中看上去不符合地心引力彎曲堆放的書由電影道具製作者特意創作。書本中間被穿洞,由彎曲的金屬材料串起來,就像串珠一樣,創造呈現特殊的效果。

P.128

TOP: Harry Potter and Remus Lupin talk overnseveral stacks of bound books after the professor resigns from Hogwarts at thenend of the events of Harry Potter and the Prisoner of Azkaban; ABOVE LEFT: Antacky book stack, The Life & Lies of Albus Dumbledore, from Harry Potternand the Deathly Hallows—Part 1; OPPOSITE: The precariously stacked books of Flourish andnBlotts bookstore in a reference photo for Harry Potter and the Chamber ofnSecrets; RIGHT: The books that 「floated」 from Hermione Granger』s hand to thenshelves of the Hogwarts library in Harry Potter and the Half-Blood Prince werencaught by crew members.

P.128

上方:哈利·波特和萊姆斯·盧平在他從霍格沃茨辭職教授之後談話,辦公室里有著成堆的紙質書。——《哈利·波特與阿茲卡班的囚徒》

左上:一本低劣的書《阿不思·鄧布利多的生平與謊言》——《哈利·波特與死亡聖器(上)

下頁:麗痕書店中書本堆的搖搖欲墜的繁榮景象對比博金·伯克店。——《哈利·波特與密室》;

右:書本漂浮著從赫敏·格蘭傑手上到霍格沃茨圖書館的書架,實際上由員工拿著。——《哈利·波特與混血王子》

TEXTBOOKS

「Honestly, don』t you two read?」

——Hermione Granger, Harry Potter and the Sorcerer』s Stone

Before the startnof each school term, Hogwarts students would receive a letter listening whatnbooks they would need for the subjects assigned to them for the year. Alongnwith writing the text for the pages within, the graphics department created thentitle treatments and the design and binding of the books. 「We worked verynclosely with bookbinders and learned traditional techniques and processes,」nsays Miraphora Mina. 「It was a wonderful experience to engage with otherncraftsmen because we wanted to push the boundaries of what you would normallynexpect in a book binding, and learn to make covers out of metal and silk and goldnleaf.」

And Eduardo Limancollected a considerable amount of old books that they used as reference fornboth for the binding and its contents in addition to being able to observe howna book aged; for example, where it broke with daily or yearly use. Once thenteam, which included their assistant, Lauren Wakefield, decided upon a finalndesign, different-sized editions of the book would be created, again dependingnupon their time in front of the camera. 「There are those books at regular sizenthat the students use,」 explains Lima, 「but when they need to be read close-upnon camera, we』ll do a bigger version, from twenty-five to fifty percent bigger,nespecially when you need to read the handwriting, as was the case with thenAdvanced Potion-Making book.」

Every book wasnfilled with about twenty pages of text on its subject, written by the membersnof graphics department, and these pages would be repeated and bound until theyncreated the size of the book they wanted. A minimum of copies, usually eight,nwould be created for each book that was handled by a main character. Thenschoolbooks in general would be printed for classes of twenty to thirty students,nplus several extras, in case the book was destroyed in a stunt or wasnaccidentally ruined during shooting. Author』s names that didn』t come from thenoriginal novels came from friends, family, or members of the graphicsndepartment : Olde and Forgotten Bewitchments and Charms is by E.Limus (EduardonLima), Ancient Runes Made Easy is by Laurenzoo (Lauren Wakefield), and NewnTheory of Numerology is by Lukos Karzos (Miraphora Mina』s son). With so manynbooks needed for Flourish and Blotts, new titles were created with a wizardlynbent (A Fully Illustrated History of the Flying Carpet and Wanderings of a TreenThrough the Alps), and a few seemed to parallel books from the Muggle worldn(Wizards Are from Neptune… Witches Are from Saturn). Familiar names showed upnfor the publishers: Luca Books, Winickus Press (for graphic artist RuthnWinick), and MinaLima Books.

In Harry Potternand the Deathly Hallows—Part 1, Hermione Granger brought many books with her on theirnjourney seeking out the Horcruxes that she thought would be helpful. Innaddition to any books that had already been mentioned that would be useful,nsuch as Moste Potente Potions, which Hermione used to create Polyjuice Potion,nMina and Lima added others to her cache to total about twenty books, carried inna small beaded bag touched with the Undetectable Extension Charm. This was annoccasion when the artists tried to get into the character』s skin. 「 It was anreally nice opportunity to think, well, which ones would she have taken on herntrip?」 asks Mina. 「There was a line in the script that described her bag. Shenshakes it, and there is this terrible noise of stacked books falling over.nSadly, you don』t get to see all of them in the film.」

教科書

「老實說,你們兩個難道不看書嗎?」

——赫敏·格蘭傑n《哈利·波特與魔法石》

在每個學期的開始之前,霍格沃茨的學生將收到一封關於他們需要用到的課程教科書清單。除了寫作的課本中文本之外,圖像部門會創建標題和設計書本的裝幀樣式。「我們與裝訂工作者緊密合作,這項工作需要學習傳統技術和過程,」米拉弗拉·米娜說,「這是一次美妙的經歷,讓我們和其他工匠合作,因為我們想要超越你平常所見的裝訂書,書的封面由金屬、絲綢和金箔覆蓋。」

利馬和愛德華多收集了大量的舊書,用作參考裝訂方法和文本內容,以及怎麼讓書本看上去像古書。比如說:哪裡會隨著多日或是多年的使用而破損。一旦一個包括助理的團隊建立起來,勞倫·韋克菲爾德決定最終設計,不同大小的書版本會被創建,再根據他們出現在鏡頭前的時間調整。「這些書大多和學生通常使用的課本是一樣大的,」利馬解釋說:「但當他們需要閱讀特的鏡頭時,我們會做一個更大的版本,通常擴大25%到50%,甚至更大。比如你看到的高級魔葯製作的課本。

每本書大約有二十頁有關主題的文本,由圖像部門的成員撰寫,這些頁面將會被不斷重複,直到創造出他們預設書本大小的厚度。每本書會印刷一定數量,通常最少的話是8本,被主要人物在影片中拿著。一般教科書將印刷給20~30名學生,再加上幾本備份,以防這本書毀於一場特技拍攝,或是在拍攝期間被不小心損毀。除了原著中出現的作者名字,其他名字來源於設計人員的朋友、家人,或是圖像部門成員:古老的遺忘魔咒作者名是E·利比亞(Eduard·利馬),古如尼古文課本作者名是Laurenzoo(勞倫·韋克菲爾德),算數占卜的理論課本作者名是Lukos Karzos(Miraphora Mina的兒子)。由於麗痕書店和博金·伯克書店需要大量的書本,所以許多新的書本標題被創造出來(《飛毯歷史說明》、《一棵樹穿越阿爾卑斯山的漫遊》),和一些似乎是平行麻瓜世界中的書(《巫師來自海王星》、《女巫來自土星》)。出版商的家人名字也出現了:諸如盧卡的書本、Winickus新聞(圖像藝術家Ruth Winick),以及MinaLima書籍。

nnnnnnnnnnnnnnnnnnnnnnnnnnnn在《哈利·波特與死亡聖器(上)中,赫敏·格蘭傑在他們尋找魂器的途中帶了很多她認為會有幫助的書。除了已經提到的有用書籍之外,比如《強效藥劑製作》,赫敏用來製作變身藥水。米娜和利馬添加了其他的大約二十本書,用於展現串珠小包無痕空間伸展咒的魔力。這是一個藝術家豐富人物形象的機會,「這是一個很好的思考機會,比如,她會在旅行中需要哪些書?」米娜提問道,「腳本中有一條線索,描述了赫敏的串珠包。她搖晃了小包,結果裡面卻發出了書本碰撞散落的聲音,可惜的是,你們沒能在電影中看到這個畫面。」

P.131

TO LEFT TOnRIGHT: Rubeus Hagrid』s copy of Dragon Breeding for Pleasure and Profit and thenfirst-year』s textbook for Professor McGonagall』s Transfiguration class, bothnfrom Harry Potter and the Dark Arts students, Harry Potter and the Prisoner ofnAzkaban <A Beginners Guide to Transfiguration>; ABOVE: A Defense Againstnthe Dark Arts textbook and a student notebook created for Harry Potter and thenGoblet of Fire; OPPOSITE TOP: The exquisite cut-out cover of one of the twentynbooks Hermione takes with her in Harry Potter and the Deathly Hallows—Part 1;nOPPOSITE BOTTOM: Perhaps the first edition of Advanced Potion—Making,ncrafted with a leather cover debossed with gold symbols.

P.131

從左到右:魯伯·海格為了樂趣和利潤的《養龍指南》副本,以及麥格教授一年級變形課的標準教材,它們都出現在了哈利·波特和愛好黑魔法的學生手中。《哈利·波特與阿茲卡班的囚徒》:《初級變形指南》

上圖:黑魔法防禦術教材和學生筆記本——《哈利·波特與火焰杯》

下頁:赫敏的二十本精美課本中的一本剪影——《哈利波特與死亡聖器(上 )

相反的底部:也許是《高級魔葯製作》的課本,精心製作的皮革上是黃金覆蓋的凹面圖形符號。

P.132

Top: ThenStandard Book of Spells for first years, Harry Potter and the Sorcerer』s Stone;nABOVE: The Runes Dictionary Hermione Granger brings with her in Harry Potternand the Deathly Hallows—Part 1; OPPOSITE TOP: Fantastic Beasts and Where to Find Them,nrequired for first years, Sorcerer』s Stone; OPPOSITE BOTTOM: Bathilda Bagshot』snA History of Magic. Versions of this book are seen throughout the film seriesnbut this one features the author』snimage, played by actress Hazel Douglas in Deathly Hallows—Part 1;nFOLLOWING PAGES: The array of books seen throughout the Harry Potter seriesnincluded not only school subjects but topics from sports to psychology tonsocial interaction.

P.132

《標準咒語一年級》——《哈利·波特與魔法石》

上圖:赫敏·格蘭傑在《哈利·波特與死亡聖器(上)中攜帶的如尼古文字典;

下頁:《神奇動物在哪裡》在第一學年中被要求使用。《哈利·波特與魔法石》

下頁底部:巴希達·巴沙特的《魔法史》。這個版本的書出現在整個系列電影中,這個作者的形象在《哈利·波特與死亡聖器(上)中由演員哈澤爾·道格拉斯扮演;

以下頁面:一系列在《哈利·波特》系列中可以見到的書。不僅包括學習科目,也包括運動、哲學、社會學等。

P.134

<Quidditchnteams of England &Ireland> Extraordinary visual record of the ART ofnQuidditch (revised edition)

<Grammatica>nA useful guide to Grammatica

<Ancientnrunes made easy> The most helpful paperback available

<Flying withnthe Cannons>

<The declinenof Pagan Magic> By Bathilda Bagshot

<How to tamentigers? > Professor V.Veridian

P.134

《愛爾蘭魁地奇球隊》非凡的視覺藝術魁地奇的記錄(修訂版)

《Grammatica》一本有用的Grammatica占卜指南

《古代魔文很容易》最有益的平裝書

《與火炮隊一起飛行>?

《異教魔法的衰落》巴希達·巴沙特,

《如何馴服老虎》V.Veridian教授

P.135

<Hogwarts anhistory>

<How to woonwitches> Mauricius Carneirus: Every wizard』s 「Must have」guide! 12 simplenways to make you the master of approach and charm your way! THE NUMBER ONEnBESTSLLER! Wand control/Fresh halitosis/Love potion cocktails/Spellsnstrength/Latin spells and mantras/…And many more tips and tricks to make yournlove life out of this world…//*5 Million wizards have triedn&tested!/*Bestseller in over 34 countries!/*A worldwide phenomenum!/Try itnnow!!! Guaranteed satisfaction or your money back

<Numerology>nL.Wakeifield

<Wizards arenfrom Neptune, Witches are from Saturn> Irsis Pius

<Unfoggingnthe future> Cassandra Vablatsky

<The Mugglenconspiracy>Sinistra L

<PhyllidanSpore』s 1000 Magical >Herbs & Fungi

P.135

《霍格沃茨 一段校史》

《如何吸引女巫》 MauriciusnCarneirus:每個巫師的「必需」指南!12個簡單的方法可以讓你具有親和力的魅力大師!最暢銷的書!/魔航控制/清新口臭/愛情魔葯雞尾酒/魔法強度/拉丁魔法和咒語/…和更多的技巧和訣竅,讓你的愛情生活超乎世界/ / 500萬巫師已得到測試和檢驗!/暢銷書在34個國家!/ *世界級現象 !/現在就試一試! ! !保證滿意!如若不滿,必將退款!

《算數占卜》 L。Wakeifield

《男巫來自海王星,女巫來自土星> 辛尼莘塔L

《撥開迷霧看未來》卡桑德拉·瓦布拉斯基

《麻瓜陰謀》辛尼莘塔L

《菲利達孢子的1000種魔法》草本植物和真菌


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