如何評價P.K.14樂隊？

在中國玩後朋樂隊的不幸是，PK14太噁心人了，不管你怎麼玩，總有人說：「哦，你這個xxx還挺像PK14的。」（樂隊內心OS：「我x你全家啊」）

當然，後來重塑漸漸起來了，又有一幫樂隊更像重塑了。

總之在中國玩後朋真是一件非常心塞的事兒。

——————————說點嚴肅的（並不）———————————

雖然大家都說PK14很不錯，但是沒幾個人能把他們的專輯聽全的，90%的人可能只聽過一首紅色的列車，10%的人可能聽熟了一兩張（我在這個裡面），只有極少數死（nao）忠（can）粉能做到把他們的所有的專輯都聽熟的。

畢竟，

楊海菘只要不開口，他們的歌還是挺好聽的。

P.K. 14 is a Chinese rock band composed of vocalist/producer Yang Haisong (楊海崧), Xu Bo (許波) on guitar, bassist Shi Xudong (施旭東), and drummer Jonathan Leijonhufvud (雷壇壇, or "Tan Tan"). Their post-punk,indie rock musical style has been influential on the Chinese rock scene since their first album was released in 2001,making them "elder statesmen of the Beijing rock scene".Formed in 1997 in Nanjing, they moved to Beijing in 2001.One of five groups selected by Time magazine as Asia"s best bands in 2008, the band"s name is intended as an abbreviation of "public kingdom for teens".The band, which sings exclusively in Mandarin Chinese,has been praised for its "sharp, post-punk"sound: "P.K.14, for all its lyrical depth, creates an overwhelming barrage of beautiful postpunk chaos".In addition to his work with P.K.14, Yang Haisong is also a sought-after record producer in China, working primarily with the Beijing-based labelsMaybe Mars, Modern Sky and Genjing Records to produce efforts from Carsick Cars, Birdstriking, Skip Skip Ben Ben, The Dyne, Goodnight Goodluck, Alpine Decline, Fallacy, Doc Talk Shock and his own side project, the lo-fi noise duo Dear Eloise.

我最近才喜歡上p.k.14的歌，單純覺得很帶感。。。