Which tools and software did you use to put it all together?
Patrick: We did a lot of the modelling in ZBrush, for our organic modelling. We used Maya for a lot of modelling and prep as well. So even though the final product was in Cinema 4D there was plenty of Maya in the pipeline. We comped it all in After Effects and rendering in Octane was a big part of the process. For us, the major step forward was that we assembled some GPU render farms as a way of scaling Octane rendering so that it can work for larger projects. The Octane approach is quite different to traditional renderers when it comes to the hardware and scalability. More and more we find that Octane is a very interesting tool for us to work with. From my perspective, being a non-technical person, it seems to me that Octane is opening up some very exciting areas and it』s going to be a big part of the next phase of production in the industry.
