如何看待T.S的新專reputation以及發布的新曲？

不懂音樂不懂什麼blues還是jazz之類的也好，但感覺T.S走的一直都是catchy那種風格，上只專輯已經儼然從鄉村小天后變成流行小惡魔，而且曲風還算抓人，但新曲是什麼鬼，看不到泰勒，說句老實話，如果不是她的名義發這個曲，我聽完就秒刪。大神快來分析分析這是什麼鬼，我這土鱉出去也好裝逼。
哈那個說了不懂音樂，喜歡她的別噴我

摘一下一些樂評媒體的話吧。
首先是衛報，衛報給了兩星。

Produced by Jack Antonoff, the album』s lead single is a skeletal bit of electropop that borrows its beat from the provocateur Peaches』 2003 banger Operate and places Swift』s tremulous voice front and centre. That』s a welcome development in the wake of I Don』t Want to Live Forever, the 50 Shades Darker tie-in track from earlier this year that rendered her nearly unrecognisable as she traded sighs with Zayn Malik. It』s also a risky move in a pop market that seems averse to women who possess any sort of unique vocal personality. Swift』s lyrics are visceral and almost sloppy, with her rhyming 「time」 and 「time」 on the Lorde-channeling pre-chorus, and melodramatically declaring that 「the old Taylor」 is 「dead!」. The chorus borrows its cadence from Right Said Fred』s 1992 body-shaker I』m Too Sexy, a ridiculous touch that at least cuts the acid a bit. There』s also a callback to Britney Spears』 similarly metatextual 2007 track Piece of Me, which made oblique references to the tabloid-chronicled problems that had plagued her earlier that year. The songs Swift is borrowing from are superior to Look What You Made Me Do, although its potential for pop catharsis is off the charts. How will this track fit into the album』s greater narrative? Is it a prelude to Taylor releasing a burn-book album, one where each celebrity who』s peeved her – West, Kardashian West, Katy Perry, Nicki Minaj, Calvin Harris, whoever came over and was rude to her cats – gets a diss track of their own? Or is this track, which is paired with a lyric video that evokes Saul Bass』s iconic poster for Alfred Hitchcock』s Vertigo, her chance to play a character in the album』s greater narrative? The way she resignedly sighs the song』s final 「do」 seems to suggest that she』ll be playing multiple characters, at the very least – after all, a heel turn doesn』t work without there being a return to being good somewhere on the horizon.

只摘去了其中一段，大致講了泰勒這首電子流行歌曲，節奏和鼓點的借鑒對象，還有風格的brithny化。最後評價這首歌，撐不起整個ts6的敘事，並擔心ts6中有很多類似的diss曲目。

在看另一家的，給了A。

最後一句很有意思，泰勒本想是追求快樂的，但現在在玩弄自己的憤怒。

還有p4k的評價就不貼了。差評主要集中在霉女這首歌的報復性和自我性上。像霉女這樣的超級巨星，有很多媒體寄希望於她能像gaga，或者coldplay等等那樣能夠有一種社會責任感。希望她能對她粉絲進行正確的有價值的思想引領。但看來大部分小青的歌，除了小情歌就是diss曲，並沒有很好的做到這一點。
好評是欣賞霉女對節奏，旋律，鼓點的把握上。